By Randy Kemner, Proprietor
The past two months I’ve been
evaluating Southern Hemisphere wines for the store—the same kind of “international-style”
wines I’ve been avoiding for over a decade, particularly concentrating on some
truly impressive wines from Argentina and New Zealand.
In my personal life, I drink almost no “international-style” wine at home these days, preferring less assertive, more nuanced, less potent European wines. It’s not a value judgment; it’s just where my taste has evolved over time.
You see, I like to drink wine.
I drink it by itself and I drink it with my dinner. Splitting a bottle with Dale means two six-ounce glasses apiece (or three four-ounce glasses). Depending on the wine we select, it’s either not enough, or it’s too much. Sugar content before fermentation seems to be the determinant whether drinking wine will be an uplifting experience or an ultimately painful one for me.


Recently, though, I’ve been
surprised to notice while I’m meeting with suppliers that some of the very
wines I’ve been railing against—14% to 15% alcohol wines—are very appealing to
me, at least while I’m sitting there in our tasting room. And I really want to introduce them to our
customers because they are delicious, beautifully made wines.
Has there been a
shift in my tastes?
Most wines I’ve
enjoyed from Argentina are fermented dry, meaning their grapes weren’t picked
quite as high in sugar as many of their California counterparts. Since I haven’t really had time to live with
them awhile—only sipping them in limited quantities in the store—it remains to
be seen whether I can drink several glasses of them without the nagging
ill-effects.
The past year, I've really been
championing the sensational, inexpensive, crisp, low-alcohol white wines from
Gascony. I drink them all the time. And now that rosé season has begun
in southern California, I’m enjoying lighter versions of those a lot, too. With both these kinds of wines, a single bottle isn’t
enough for two people.
But if the grape
sugars and their resulting alcohol in wine rises just a little bit, the story changes.
I drank a surprisingly
good $7 Sauvignon Blanc from Chile last night, Viu Manent.
At 13% alcohol, it was just potent enough so that I felt a little woozy
before the bottle was empty, something that never happens with the Tariquet Cotes de
Gascogne. Even though I enjoyed the
wine, I couldn’t finish the whole bottle alone.

I’ve come across two
magnificent New Zealand Sauvignon Blancs in the past month—the Runnymede and
Greywacke, the latter made by the guy who crafted Cloudy Bay for 25 years. Both wines possess everything I want from
Marlborough Sauvignon Blanc—richness balanced by acidity, the ribbon of
lime-citrus concentrate running through their grapefruity cores.

Will I be able to
drink these wines with abandon, the way I do Provencal rosé, the way I do those
thirst-quenchers from Gascony? They,
too, are in the 13% range, and moderation may be forced upon me.
There’s only one way
to find out. The empty bottle will tell
the story.
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